A 17-Minute conversation with Williamstown artist, Erica Taylor… because 20 would be too much awesome for your brain.

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This blog is meant to be a learning tool… both for us and others. A few weeks ago, Erica Taylor — the Williamstown-based painter / graphic designer / illustrator / wood worker / carver, agreed to sit down for an interview, as part of our ‘Get To Know Local Artists’ series…

Erica is currently exhibiting in a solo show at the Arbor Gallery, called Plants & Animals’ — and it has been a great success, and gave us a great excuse to talk to her, but we would have eventually anyway…

…just a quick note: any audio problems are my fault — I mumble. And I’d like to personally thank Erica for taking part in this experiment. Hopefully we can do this again.

Erica’s solo show continues at the Arbor Gallery until May 1.

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The Internet is hard and makes your brain hurt… but there are easy ways to build your own online arts community

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One of the easiest lies artists believe is “you need to use the Internet to sell yourself”… that, somehow, ‘the Internet’ will drag you up and out of obscurity, and bring you to a huge audience who will buy all of your work for top dollar and praise your brilliance in long articles in Rolling Stone magazine.

And it is, for the most part, a lie. Artists do survive just fine without having a web presence.

But there is some truth in there, and it mostly depends on what definition of ‘Internet’ you use. If you’re willing to learn how to use it, chances are the ‘Internet’ could (or should) be a really easy way to reach a larger audience for your work.

Most of us who have turned to the ‘Internet’ to market and sell our work have simply started ‘static web sites’ — places to store our archives. An address to put on business cards.

The problem with a static web site, of course, is there’s never a reason for anyone to go back (even if they look great, and showcase awesome art). At least not regularly. You hand me your card, I check out your site once or twice, I see the same material, I never come back — not because I don’t like you, but because… what’s the point?

There’s no sense of community. There’s no chance to build a community. There’s no opportunity for growth. There’s no interaction between us, or between myself and the other people looking at your work.

They have their uses, but ‘static web sites’ are extremely limited and limiting. If want to use the ‘Internet’ to market yourself, to promote your work, if you’re looking for interaction, a community, finding people with common interests, you need a ‘dynamic web site’.

You need something that changes, that can encourage discussion and can be frequently updated — Facebook, Twitter, a blog, Instagram… ask your kid for the other ones.

Because, no word of a lie, if you’re not using a dynamic web site to market and promote your work, you might as well be swimming up a waterfall… which can be a problem for a lot of us who never considered swimming lessons important to our art to begin with.

But it doesn’t have to be hard.

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Photos from the opening of Erica Taylor’s solo exhibition – ‘Plants & Animals’

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Erica Taylor‘s solo show at the Arbor Gallery kicked off on Saturday, March 15, with a very successful vernissage… ‘Plants & Animals‘ will run until April 20. We also sat down with Erica for an ‘on camera’ interview, which we’ll be posting soon.

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Taylor, a sign painter and graphic designer, has been a professional artist since 2008, and has been included in juried exhibitions in Stormont-Dundas-Glengarry, Prescott-Russell, Ottawa, and the U.S. She was a recipient of an Emerging Artist Grant from the Ontario Arts Council, and has work in private collections in Ontario, Quebec and Australia.

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A conversation with Susan Jephcott on the influence of Freda Pemberton-Smith on Vankleek Hill’s artistic community

Two weeks ago I sat down with Susan Jephcott, one of Vankleek Hill’s most established artists — and one of the founding members of Vankleek Hill’s ‘May Show Arts Festival (and one of my favourite human beings) to discuss the influence Freda Pemberton-Smith had on her, and on Vankleek Hill‘s artistic community.

Unfortunately for everyone involved, I got sidetracked trying to prepare the interview for broadcast on a local cable station, which meant spending ten days trying to learn new software and editing techniques that people normally spend months and thousands of dollars trying to… not ‘master’, lets say ‘navigate’.

One of the problems I had was it was filmed in ‘ultra-HD’, which does not transfer well to viewing on the web. Over the weekend, however, I finally had a version I was happy with — fade ins, fade outs, information boxes, photos, end credits — but then, as sometimes happens, it all went away.

Hopefully, eventually, we’ll get it back. Maybe after a few more online tutorials. So, for now, we’re just going to post the individual pieces, and worry about the ‘for broadcast’ version later… the video is towards the bottom.

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How explicit is too explicit for a small town art gallery? Hint: it begins with a V and ends in gina.

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Vankleek Hill has a long history with naked people. Especially in our art.

For the past five years, the Arbor Gallery has exhibited an annual Valentine’s Day show specifically featuring erotic art in something we like to call ‘The Eros Show‘.

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In 2011, for example, we featured three paintings from Edwina Billyk, called “Seated nude male,” “Homo erectus et ludens,” and “Homo erectus”. All three featured realistic nude male figures, on blue backgrounds, lounging around… lets say, very comfortably.

Galleries in Vankleek Hill, including ours, have never shied away from exhibiting nudes, especially during the early years of our famous annual Vankleek Hill May Art Festival. From 1982 until (roughly) 1992, Vankleek Hill’s galleries had many erotic aspects to their shows, including Donald Liardi’s nude sculptures, and Susan Jephcott’s paintings… all of which either involve nudity, or make you feel like you should be naked. John Greewald’s paintings are another example of how accepting gallery visitors have been to exhibiting nudity in our local galleries.

Basically, what I’m trying to say, is there have been no uprisings. I can’t even remember a letter to the editor ever having been written — or, at least, published — regarding anyone’s morals being offended by any art featuring totally exposed, or engorged… pieces.

…of course, maybe the people who might complain just don’t bother showing up (I prefer to think they all just moved away back in 1983 when it became evident our artistic community wasn’t going to stop with the naked stuff).

But this year was different. This year’s Eros Show featured nudes by Erica Taylor — including her ‘Silver Streak Penis Car‘ sculpture, as well as John Greenwald’s work, and Susan Jephcott’s paintings shown openly on our walls. But the photography of newcomer, Roy Whidden, caused Jessica Sarrazin, the Arbor Gallery’s Artistic Director, to rethink some of our policies.

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The first in what we hope will be an awesome series of ‘How To Do Art’ essays… plus, expletives.

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This is the first in what we hope will be a series of “How To” essays. This week: How To Be A Writer. It’s entirely possible the next one will be ‘How Not To Write A How To Essay’. We’ll see how it goes…

If you have your own tips or lessons on ‘How To Write’, or links you think we should know about, feel free to leave them in the comments section, we’re all about sharing here.

So… my name’s Gabriel and, despite working as a reporter for so many years, it took a long time until I accepted what I do to be art, or that it could be considered art. I still have a hard time saying it out loud… weird but true.

Weird because it’s so obvious being a writer is who I am, and who I have been, not just what I do. For example, my little brother’s leather high school jacket had four different sports on his sleeves — track, volleyball, basketball… I think beer was the fourth.

My sleeve, however, had “Poetry”. It should have been ‘Writer’, which, to be honest, was the only thing I was really good at — it also would have encouraged me (an anxiety ridden, self-conscious teen) to wear the jacket more often. Either way, writing was the only reason I survived high school… but that’s a whole other issue I’m still discussing with several therapists.

“…writing isn’t about simply leaving material for someone to read. It’s about forcing your ideas into their brain and overwhelming their imagination until they see exactly what you want them to see.”

I wrote that… it’s a little further down in the essay, actually.

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